Dates and listening details already known to Music Journals.
Composed 1842–1843
IMSLP work page “Ballade No.4, Op.52 (Chopin, Frédéric)”: composition field “1842 (revised 1843)”; reviewed 2026-08-22.
Composed 1831–1835
IMSLP work page “Ballade No.1, Op.23 (Chopin, Frédéric)”: composition field “1831? (first version), 1834-35? (final version)”; reviewed 2026-08-22.
Composed 1841
IMSLP work page “Ballade No.3, Op.47 (Chopin, Frédéric)”: composition field “1841”; reviewed 2026-08-22.
Composed 1831–1834
IMSLP work page “Andante spianato et Grande polonaise brillante, Op.22 (Chopin, Frédéric)”: composition field “1831 (Grand polonaise brillante), 1834 (Andante spianato)”; reviewed 2026-08-22.
Composed 1836–1839
IMSLP work page “Ballade No.2, Op.38 (Chopin, Frédéric)”: composition field “1836-39”; reviewed 2026-08-22.
Composed 1845–1846
IMSLP work page “Barcarolle, Op.60 (Chopin, Frédéric)”: composition field “1845–46”; reviewed 2026-08-22.
Composed 1842
IMSLP work page “Polonaise in A-flat major, Op.53 (Chopin, Frédéric)”: composition field “1842”; reviewed 2026-08-22.
What a few years of concerts looks like
Built from Justin Wang’s own journal, so you can see it working before you have one. It assembles itself as you read programmes in — there is nothing to set up.
Heard 1 time before
This time: Hao Rao
Listen for
Heard before with Seong-Jin Cho. Compare pace, balance, articulation, and the transitions that shape the work.
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